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- Cannes Lions: Golds and Silvers etc - The One Show: Best of Show etc - D&AD: Pencils (multiple) - CLIO Awards - Communication Arts (multiple features) - The ADDYs - The ANDYs - Copywriter of the Year - Named creator of one of the "Best Ad campaigns of the past 25 years" - Kelly Award: Grand Winner (twice in a row) - Permanent Display in the Smithsonian Institution - Permanent Display in the Museum of Modern Art (MOMA) - Special Commendation from The US Surgeon General - Special Commendation from The Women’s Sports Foundation - Special Commendation from The Women’s Law Review - Recognition from Oprah Winfrey (multiple times)
"Find the real, unexpected, unspoken truth. Then give it a voice. The work comes first. Always."
Janet Champ's career is a testament to the power of authentic, courageous creative work. For 15 years, she was a pivotal writer at Wieden + Kennedy - and the first female writer ever hired - working directly under the mentorship of Dan Wieden and David Kennedy, whom she credits for teaching her the foundational principle: "The work comes first." During her time at W+K, she created some of the most influential advertising of the era, or any era, most notably defining Nike's voice for women and girls with groundbreaking campaigns like "You Were Born A Daughter' and "If You Let Me Play." Her work has been recognized not just with advertising awards, but with commendations from figures like Oprah, The US Surgeon General, The Women's Law Review, Women's Sports Foundation, NY Times, Washington Post, Copywriter of the Year by Adweek. Her legendary work is held in permanent collections at both MOMA and the Smithsonian. Along with her husband, creative director Rick McQuiston, she was chosen by Hollywood icon Laura Ziskin to launch STAND UP 2 CANCER from the ground up. Now a global freelance writer, creative director, consultant, and speech writer, she continues to partner with top-tier agencies and directors like David Fincher, Alfonso Cuarón, and Jodie Foster. She brought The Girl Effect to the United Nations and Kofi Annan; was chosen by Malala herself to create a gorgeous Manifesto; launched Chicago Cred with Rick McQuiston; and brings her signature "non-phony" humanism to purpose-driven work for clients across the globe. Because freelancers are seldom credited, her name has been left off dozens of Super Bowl ads and endless amounts of iconic, defining brand work recognized by anyone breathing. Where are her fingerprints? Think every agency out there. Think BMW, Cadillac, Rolex, Coca-Cola, Samsung, Google, Microsoft, JP Morgan, Under Armour, Toyota. Think Apple, Airbnb, Levis, Emerson Collective, DocuSign, Mercedes Benz, Pinterest, Netflix, Sony, Uber. Then keep thinking. Whether she gets credit or not, she's the creator of stellar, emotionally resonant work that strips away artifice to provoke, inspire, tantalize, react. She's been called a poet and the one who brought Manifesto writing to the forefront of advertising. She just likes to be called Champ.
Writer / Creative
Approx. 1987-2002
Partnering Writer/CD
Undisclosed
Partnering Writer/CD
Undisclosed
Partnering Writer/CD
Undisclosed
How Janet Champ approaches creative challenges
Janet Champ's creative approach is rooted in finding and amplifying the unspoken human truth. She believes "the work comes first," a philosophy that demands stripping away all artifice to get to a raw, honest emotional core. Maybe that emotion is comedy, maybe it's drama. Maybe it's a full blown musical. Nothing is copy, it's more how can we channel what's needed, the unexpected and daring, them poetic and person, the highly individual or the utterly universal? She operates with deep empathy, curiosity, and an obsessive amount of craftsmanship, treating every brief as an opportunity to give voice to what nobody saw coming.
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