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Taught by Lee Clow Β· Chairman Emeritus, TBWA/Media Arts Lab | Creative Visionary Behind Apple's 'Think Different' & Advertising's Greatest Legend
Meet Lee Clow through his own words. From a surfboard in Southern California to the pages of Mad Magazine, discover how a kid with latent artistic talent and an obsessive eye for input became one of advertising's greatest creative minds.
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In this opening lesson, you'll meet Lee Clow in his own words β before the iconic campaigns, before Apple, before the legend. This is the origin story: a kid in Southern California who surfed, read Mad Magazine, and somehow became one of the most influential creative minds in advertising history.
What's remarkable isn't that Lee had some extraordinary gift handed to him. It's how he used what he had β and how he paid attention to everything around him.
Lee opens with something deceptively simple: "Most of the success of an artist is the ability to consume lots of input and store it in your mind β so you can draw on that at some point in time to express things."
This isn't passive. It's an active, almost obsessive habit of collecting β images, ideas, experiences, people β and filing them away. The creative output you admire in great work? It's built on a mountain of input you never see.
The takeaway: What are you feeding your brain right now? The quality and quantity of your creative output is directly tied to the richness of what you're taking in.
Lee grew up surfing in 1960s Southern California. Surfers were considered anti-establishment, free-spirited, outside the mainstream. He credits that culture β not a design degree β with teaching him that anything you do, you should try to do as imaginatively and creatively as you possibly can.
Formal education matters. But so does the culture you swim in. The environments that give you permission to be different are often the ones that make you dangerous in the best possible way.
From a design studio in Santa Monica to a stint in the army to a soul-crushing job at a traditional agency where creativity was "managed and controlled" β Lee absorbed lessons from all of it. Especially the bad stuff.
"The negative experiences sometimes can be more important than the positive experiences."
That agency job where account guys called the shots and creativity was kept on a leash? It didn't break him. It clarified exactly what he didn't want β and pointed him straight toward Chiat\Day.
For Lee, that hero was Walt Disney. Every Tuesday night on television, he watched Disney build Disneyland β architecture, art, fantasy, storytelling, and business all rolled into one. Disney showed him that a creative person could change the world.
Later, Bill Bernbach of Doyle Dane Bernbach played a similar role β proving that advertising didn't have to be stupid or insulting, that creativity was a business idea.
Having a north star matters. It gives your ambition a shape and a direction.
Lee's mother never stopped encouraging him. "To the day she died, she never stopped believing that her job was to make sure I remembered I'm supposed to be an artist."
That kind of sustained belief from someone close to you is easy to underestimate β until you realize how many people quit because nobody told them to keep going.
Lee Clow didn't arrive at TBWA\Chiat\Day fully formed. He arrived curious, hungry, and shaped by a thousand small inputs β surf culture, Mad Magazine, a mother who believed in him, a mentor who said "I would have hired you right now if..." and a boss who liked exactly one thing in his portfolio.
The lesson isn't that you need a perfect background. It's that everything counts. The stuff you're reading, watching, and experiencing right now is being stored. One day, you'll reach for it.
Start paying attention like your career depends on it. Because it does.
Surf culture in the 1960s was inherently anti-establishment and non-conformist. Lee absorbed the idea that anything you do β even riding a wave β should be done as imaginatively and creatively as possible. That attitude became a lifelong creative philosophy.
Lee believes that creative people are essentially collectors β they absorb everything around them (magazines, culture, experiences, failures) and store it as raw material to draw on later. The breadth and quality of your input directly shapes the quality of your creative output.
Mark this lesson complete to track your progress